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For her retrospective exhibition at Berlin’s Neue Nationalgalerie, Isa Genzken has presented 75 sculptural assemblages from across her career to celebrate her 75th birthday. On this occasion, we sorted through her archive of invitations cards—historical documents which double as allegories of communication and traces of an unfixed identity.

With a career stretching from the pre-9/11 nihilistic hedonism of New York City to the gamified, small-screen fictions of TikTok’s psychedelic everyday, American filmmaker and artist Harmony Korine is emblematic of America’s aesthetics. His latest film, Aggro Dr1ft, combines worldbuilding and AI into a heightened, hyperreal, dreamlike state, pushing narrative cinema to its glitching limits.

Born in New York, where he still lives and works, Alex Katz has been painting for 78 years. Across these decades, he’s maintained a revelatory and playful eye for the essence of the image: whether it’s a landscape, a self-portrait, flowers, his wife, or images appropriated from advertising, there’s a glossy, stylized truth at the heart of the work.

The most ubiquitous of fabrics, with a history dating back to the 17th century and a lead role in many subcultural revolutions, denim has recently been dominating the stage once again, undergoing a new transmogrification. Paying homage to its undying relevance, this report explores the startling ways in which designers are reconceptualizing denim through the warping lens of luxury fashion, emancipating it altogether from its material base.

The long awaited sophomore album from Sampha, Lahai, released this fall to universal acclaim. Titled after the artist’s middle name—a tribute to his grandfather—the record is an exploration of loss and healing, reflecting on the passing of his parents, the birth of his daughter, and the inevitably cyclical nature of life and memory.

The Faiyum Oasis is a small sanctuary of life springing out of the harshness of the desert in Egypt. Led by a desire to reconnect with his own roots, British-Egyptian photographer Dexter Navy spent time with the Bedouin tribes who populate the region, navigating existence with graceful frugality.

Out of cheap jewelry, wigs, mirrors, fake fur, and counterfeit luxury goods, New York-based artist Kayode Ojo makes precarious, luminous sculptures—delicately arranged accoutrements of fake glamor. Titled “Eden,” his latest exhibition at 52 Walker is both a reference to the mythic garden of Bible legend, and an exploration of America’s history and present politics.

Founded in Tokyo in 1984 by then 21-year-old Nobuhiko Kitamura, Hysteric Glamour has created idiosyncratic clothing deeply rooted in the new wave, punk, and glam music subcultures. Forty years later, it remains a cultural touchstone for a global underground, and is being picked up by a new generation, consumed by nostalgia for the recent past.

The hip-hop artists of the Reiwa era emerge from a tangled mesh of cultural references that Japan has imported, exported, and re-imported again, in an endless loop of cultural osmosis with the West. None exemplifies this more than Tohji, whose new-wave music and potently nostalgic Y2K asthetic seem to fulfill the broken promise of a futuristic utopia.